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Khachaturian Aram - The Concertante Works For Piano in the group MUSIK / SACD / Klassiskt at Bengans Skivbutik AB (4181448)
Khachaturian Aram - The Concertante Works For Piano

Khachaturian Aram - The Concertante Works For Piano

SACD
€21.99
 
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4181448
Facts The expressive immediacy of Aram Khachaturian's music, with it's sensuous melodic writing, vibrant orchestration and rhythmic drive, resulted in a popularity equaled by few composers of his generation. Composed in 1936, the Piano Concerto was the work that established Khachaturian's name. Cast in the customary three movements, it is scored for a sizable orchestra, with notable contributions from both side-drum and military drum in the percussion section. In the second movement there is also an extensive solo for a so-called 'flexatone'; it is often put forward that Khachaturian in fact intended the part to be played on the musical saw, as it is on the present recording. Thirty years after the Concerto, the composer returned to the genre with his Concerto-Rhapsody for piano and orchestra. This time the score offers prominent roles for the xylophone, marimba and vibraphone, which contribute towards making this one of the composer's most colorful works. The demanding solo parts are here performed by the young Jordanian-Palestinian pianist Iyad Sughayer, with spirited support from the BBC National Orchestra of Wales under Andrew Litton. Sughayer made his acclaimed début as a recording artist with an album of Khachaturian's piano works and sandwiched between the two works with orchestra he here presents the piano version of one of the composer's best loved pieces, the Masquerade Suite with it's yearning opening Waltz and closing Galop.
Article number: BIS2586
Artist: Khachaturian Aram
Barcode: 7318599925868
Label: Bis
Media: SACD
Release date: 2022-09-02
Units in packaging: 1
  • 1. I. Allegro Ma Non Troppo E Maestoso
  • 2. Ii. Andante Con Anima
  • 3. Iii. Allegro Brillante
  • 4. I. Waltz
  • 5. Ii. Nocturne
  • 6. Iii. Mazurka
  • 7. Iv. Romance
  • 8. V. Galop
  • 9. Beginning
  • 10. 1 Bar After Fig. 17
  • 11. Fig. 31
  • 12. Fig. 69
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